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Visionary Ideas, Culture & Fashion

"Words are all we have" — SORN on Jean-Michel Basquiat, April 2017

An Interdisciplinary Magazine

SORN guides readers through the crossroads of visionary ideas, culture and fashion, with regular coverage spanning Art + Culture, Fashion, Selected and Diary. The magazine has acknowledged a collaboration with Berlin-based publishing house Hatje Cantz as part of its editorial work.

Recent features have examined the work of Jean-Michel Basquiat and Steven Parrino, presented the practice of artist Riley Concannon, and looked at music moments including Massive Attack's "The Spoils" video.

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From the Magazine

Art + Culture

Features and analysis on artists shaping contemporary visual culture, including coverage of Jean-Michel Basquiat's work and Steven Parrino's energetic, abstract paintings.

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Fashion

Editorials and industry coverage, including Cara Delevingne photographed by Hedi Slimane for Saint Laurent's "La Collection de Paris," and Zoo Magazine's Spring/Summer 2016 advertising featuring Linda Evangelista and Bryan Adams.

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Selected

Curated selections of artistic voices, presenting the work of artist Riley Concannon, whose creative process utilises precious metals and found objects.

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SORN occupies a distinctive space in the landscape of independent publishing, where the boundaries between art, fashion, and cultural commentary are constantly redrawn. The magazine approaches each edition as a curated exhibition in print, bringing together voices and visions that might otherwise remain in separate spheres. Its editorial sensibility leans toward the thoughtful and the unexpected, favouring depth over speed and nuance over noise. Readers are invited into a world where the written word and the visual image carry equal weight, and where the act of turning a page feels deliberate and considered.

The visual language of SORN is inseparable from its editorial mission. Across its pages, photography and illustration are treated not as mere accompaniment to text but as primary vehicles of meaning. Collaborations with photographers, stylists, and image-makers result in portfolios that blur the line between editorial spread and gallery wall. The magazine has featured striking portraits of figures from the cultural landscape, captured in moments that feel both candid and composed. This commitment to visual storytelling ensures that every issue resonates on a sensory level long after the reading is done.

Fashion coverage within SORN extends far beyond seasonal trends or commercial cycles. The magazine treats clothing and style as forms of personal and cultural expression, examining how designers, wearers, and image-makers contribute to an ongoing conversation about identity and aesthetics. Collections are explored through the lens of artistic intention, and styling is understood as a narrative act. By situating fashion alongside fine art and critical writing, SORN encourages readers to see garments as part of a broader cultural fabric rather than as isolated objects of desire.

Art and culture form the backbone of the magazine's intellectual project. SORN has dedicated significant space to figures whose work challenges, provokes, and redefines the parameters of contemporary art. Through profiles, essays, and archival reflections, the magazine revisits the legacies of influential artists while also championing emerging practitioners. The editorial approach is neither purely academic nor overly casual; it strikes a balance that makes serious cultural discussion accessible without sacrificing complexity. This middle ground has become a hallmark of the publication's voice.

The Selected section of the magazine functions as a carefully edited digest of creative work that deserves closer attention. Rather than overwhelming readers with an exhaustive survey, SORN presents a concise and deliberate selection of projects, objects, and ideas. This curatorial restraint reflects a belief that less can indeed be more when it comes to cultural recommendation. Each chosen piece is presented with context and commentary that illuminates its significance, creating a reading experience that feels more like a guided gallery visit than a passive scroll.

Collaboration sits at the heart of SORN's identity as a publishing venture. The magazine has worked with established publishing houses and a network of contributors spanning multiple disciplines and geographies. These partnerships allow the publication to draw on deep wells of expertise while maintaining a cohesive editorial vision. The result is a magazine that feels both rooted in tradition and open to experimentation, comfortable with its influences yet always looking ahead. This collaborative ethos extends to the readership, who are treated as participants in an ongoing cultural dialogue rather than passive consumers.

The Diary section offers a more personal and reflective dimension to the magazine's output, capturing moments, moods, and observations that fall outside the scope of formal criticism. These entries might trace a creative process, document an encounter with a work of art, or simply record the texture of a particular time and place. The tone is intimate without being indulgent, offering readers a glimpse behind the polished surface of finished work. In this way, SORN acknowledges that the life of ideas is not confined to galleries and runways but unfolds in the everyday.

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Sign up with your email address to receive the latest news and updates from SORN. New and regular contributors — writers and photographers — are welcome to pitch story ideas and share examples of previous work.

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Get in Touch

For general inquiries, suggestions, questions and comments, write to:

contact@sornmagazine.com

Writers and photographers interested in contributing should send a short introduction, examples of previous work, and a brief pitch for future story ideas to:

contribute@sornmagazine.com

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